My work explores a quiet tension between form and the invisible. Sculpting paper in its mass, I create openwork or raised structures, meticulously arranged, evoking waves, vibrations, or fragments of a living geometry. Through light, repetition, impermanence, and shifts in perspective, my pieces aim less to represent than to reveal — to open a space for sensitive perception.

I stand at a threshold: where art converses with design without ever dissolving into it. What I shape may integrate into a space, but it is never decorative; it responds to a more intimate, vertical quest. Some perceive a mystical poetry in it, others a tactile minimalism. For me, it is a search for the essential — a path toward an invisible, perhaps timeless reality, like the realm of essences evoked by Plato.

Each piece is born from an intuitive yet rigorous gesture, seeking balance between structure, light, and emptiness. It is within that interval — that quiet pulse — that I try to make the unexpected appear: a moment of vibrant, fragile, suspended silence.