As an artist, my work is deeply rooted in observing nature and the principles that govern its forms. Guided by the language of fine arts, I strive to create minimalist poetry that delves into the aesthetic potential of balance. One of my favorite means of expression is sculpting paper to give form to intangible forces, using light and drawing as essential elements. My career began in the early 2000s as a fresco designer for public buildings in France. Later, I relocated to China, where I spent eight transformative years exploring new mediums and techniques. During this period, I shifted from creating works on walls to transportable supports, gaining recognition among private collectors. I also contributed to the establishment of a higher school of applied arts (LISAA) and integrated traditional Asian techniques, particularly in paper arts, into my practice. Although paper has always been integral to my work, my time in China cemented it as my primary medium. Now based in Morocco, I draw inspiration from the country's distinctive light and vibrant vegetation, which infuse abstraction into both my artist books and wall sculptures, resonating with audiences internationally.